Home
Art
Contact Us
Articles


Our restorations and interpretive paintings are available for purchase by calling (919) 401-2586.

Price (Unmounted)
16x20
$189
22x30
$339
28x43
$429

Framed
Call for estimates on framing. See frame examples here.


Price (Mounted)
16x20
$224
22x30
$399
28x43
$499


Limited editions of 50. Signed by artist. Giclee  produced with archival inks on 250 lb watercolor paper.





Watercolor Interpretation of Leonardo's
Pointing Lady Drawing
(Ca 1515)  Brown-hue black chalk, 210x135mm (8.27x5.31in.)


Pointing Lady Original
Pointing Lady Water Color
Leonardo's original drawing is titled, "Woman Standing in a Landscape" (often called The Pointing Lady) (Ca 1515) with brown-hue black chalk and was a tiny 210x135mm (8.27x5.32 inches). Dr. Elliott's watercolor interpretation is available in a variety of sized up to 45 inches tall.
Through the giving of colours to and my own interpretation of  Leonardo’s drawings,  it is my wish to make the Master’s voice audible for you; and to express my own creativity through His – producing a work of art that appeals to contemporary tastes –  taking on a ‘new life’ within the setting of  contemporary 21st Century homes.  

Wistfully sketched as the sun set on the last years of Leonardo’s life, he presumably was inspired by Dante’s character of Matelda,  who points his way toward the heavenly Paradise once known as ‘Eden.’  Vortices throughout, make Matelda the perfect pendant for Leonardo’s  Deluge Series drawings, done during the same period.  As Dante in the 14th century writes,

          “And there appeared to me – as when the intrusion
                Of some new wonder takes one unaware
                And throws all one’s ideas into confusion -


             A lady all alone, who wandered there
                 Singing and plucking flower on floweret gay,
                 With which her path was painted everywhere.”

     Perhaps her enigma is bequeathed to us through Leonardo’s blending of the human with the Divine; amidst the tumult of natural forms blended with a subtle and curious gracefulness.  Emblematic of the ‘Leonardo effect’  Walter Pater’s 1869 phrase seems to fit precisely the Pointing Lady

“…That remote beauty which may be apprehended only by those who
          have sought it carefully”… “giving immortality to the subtlest and
          most delicate effects of painting.”

“In a landscape of places far withdrawn she bequeaths to us all the swarming fancies of his preference for the remote and curious…whose smile would have us understand something far beyond the outward gesture or circumstance.” – Walter Pater